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boan.

Version 0.1

The BOAN identity

One wordmark, two colours, one typeface. Everything BOAN publishes, from the agency site to the store to invoices and quotes, is built from what is on this page.

01 / Wordmark

BOAN is written as a wordmark, not a symbol. It is always set in lowercase and always closed with a full stop. The full stop is part of the mark, not punctuation. It is what makes the name read as a statement rather than a label.

Primary lockup. Ink on paper. Use this wherever the background allows it.
Inverted lockup. Paper on ink, for dark grounds and photography.
Case
Always lowercase, never Boan. or BOAN.
Full stop
Always present, always tight to the n.
Weight
Bold 700. No other weight is the wordmark.

02 / Icon

Where a layout is square and small, the wordmark reduces to a single lowercase b on a rounded square. This is the favicon, the app icon, and the avatar, nothing else. It never stands in for the wordmark somewhere the full mark would fit.

Primary. Paper letterform on an ink square.
Inverted. For placement on ink, where the primary square would disappear.
64px
48px
32px
16px

The letterform is drawn as geometry, not set as type, so it holds its shape at 16px and does not depend on Mont being installed on the device.

Corner radius
22% of the square, 14 units on a 64 grid.
Never
Do not crop the square, or use the b on its own.
Files
icon.svg and apple-icon.png, in src/app/.

03 / Construction

The wordmark needs room to work. Clear space is measured from the x-height of the mark itself, so the rule holds at any size without recalculating.

Clear space. Keep free space on all four sides equal to the x-height of the wordmark, the height of the o. The dashed line marks the boundary; nothing crosses it.
72 PX WIDE
Minimum size. Never reproduce the wordmark below 72px wide on screen, or 20mm wide in print. Below that the full stop stops reading as part of the mark.

04 / Misuse

The wordmark is a fixed asset. It is not a text style to be adjusted per layout. Each example below is a real rendering of the mistake, not a description of it.

Do not stretch, condense, or otherwise distort the proportions.
Do not recolour the wordmark. It is ink or paper, nothing else.
Do not drop the full stop. It is part of the mark.
Do not capitalise. The wordmark is set in lowercase only.
Do not add shadows, outlines, gradients, or any other effect.
Do not set the wordmark in another typeface. It is Mont Bold.

05 / Colour

BOAN has two colours. Ink is the mark, the type, and the structure. Paper is everything it sits on. There is no third brand colour. The tones below are all literal blends of the two, so the palette can grow without drifting.

Ink

#453A36

rgb(69 58 54)

The wordmark, all primary text, and every structural line.

Paper

#F6F0EE

rgb(246 240 238)

The default ground. Warmer than white, and never replaced by pure white.

Ink on paper measures 9.74:1, which is WCAG AAA at every text size, in both directions.

Tonal range

Nine steps between ink and paper. The percentage is how much paper is mixed in; the ratio is the measured contrast against paper. Anything below tone-700 fails AA and must not carry body text.

  • tone-50

    #F6F0EE

    1.00:1 · Decorative

    The page ground. Identical to paper.

  • tone-100

    #E4DEDC

    1.18:1 · Decorative

    Raised surfaces and table stripes.

  • tone-200

    #D3CCC9

    1.41:1 · Decorative

    Hairline dividers.

  • tone-300

    #C1B9B7

    1.71:1 · Decorative

    Input borders at rest.

  • tone-400

    #9E9592

    2.60:1 · Decorative

    Disabled text and icons.

  • tone-500

    #8C8380

    3.28:1 · Non-text

    The lightest tone allowed for a border or icon.

  • tone-600

    #7A716D

    4.22:1 · Large text

    Text at 24px and above only.

  • tone-700

    #685E5B

    5.57:1 · AA

    Muted body text. The lightest tone that passes AA.

  • tone-800

    #574C48

    7.35:1 · AAA

    Secondary text.

  • tone-900

    #453A36

    9.74:1 · AAA

    Primary text and the wordmark.

06 / Typography

Mont is the only typeface BOAN uses. It is a geometric sans that stays warm at large sizes and legible at small ones, which is what lets a single family carry the whole system.

Mont

ABCDEFGHIJKLM
abcdefghijklm
0123456789

Mont is a licensed typeface. Fontfabric sells it, and it is not available through Google Fonts, so it has to be self-hosted from purchased web files. Until those files are added to src/fonts/, this page renders in Outfit, a geometric sans with a comparable construction, so the layout holds when Mont replaces it. The CSS stack already lists Mont first, so the swap needs no change to any component.

Weights

  • boan.

    Regular 400

    Body copy

  • boan.

    Medium 500

    Labels and buttons

  • boan.

    SemiBold 600

    Headings

  • boan.

    Bold 700

    The wordmark and display type

Type scale

Body copy never goes below 16px. Line height is 1.5 or looser for anything set as a paragraph, and tightens as type gets larger.

  • Display

    72px · Bold 700

    tracking -0.04em

    boan.

    The wordmark and hero statements. One per page.

  • Heading 1

    56px · Bold 700

    tracking -0.03em

    Creative agency

    Page titles.

  • Heading 2

    40px · SemiBold 600

    tracking -0.02em

    Selected work

    Section titles.

  • Heading 3

    28px · SemiBold 600

    tracking -0.01em

    Brand identity

    Sub-sections and card titles.

  • Body large

    18px · Regular 400

    tracking 0

    We build brands that behave like they mean it.

    Introductions and pull text.

  • Body

    16px · Regular 400

    tracking 0

    The default size for everything a visitor actually reads.

    Never smaller than this for body copy.

  • Small

    14px · Regular 400

    tracking 0

    Captions, metadata, and form helper text.

    Supporting text only.

  • Label

    12px · Medium 500

    tracking 0.2em

    SECTION LABEL

    Uppercase, set in the mono face.

Status

Confirmed: the wordmark and its lowercase-with-full-stop construction, ink #453A36, paper #F6F0EE, and Mont as the typeface.

Proposed, pending sign-off: the tonal range, the clear-space and minimum-size rules, the type scale, and the weight assignments. All of it is derived from the confirmed decisions above rather than invented alongside them.

BOAN / Angel Maile & Bonolo Mathabela